
The Body in Motion
by Dimon, Theodore; Brown, G. DavidBuy New
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Summary
Author Biography
Table of Contents
List of Illustrations | p. xi |
Preface | p. xv |
Introduction | p. xvii |
The Origins of Movement | p. 1 |
Bones, Muscles, and Movement | p. 1 |
The Head and Its Central Role in Movement | p. 3 |
Four-Footed Animals and the Role of Posture in Movement | p. 3 |
Our Upright Design | p. 4 |
Upright Posture and the Evolution of Intelligence | p. 5 |
Upright Support-Part I: The Extensors | p. 7 |
The Extensors | p. 7 |
Stretch Reflexes | p. 10 |
The Head and Spine | p. 10 |
Head Balance | p. 13 |
Upright Support-Part II: The Flexors | p. 15 |
Flexors and Our Basic Body Design | p. 15 |
The Suspensory Function of the Flexors | p. 18 |
Front Length and Head Balance | p. 20 |
Upright Support-Part III: The Spine | p. 23 |
The Central Column | p. 23 |
Origins of the Human Spine | p. 25 |
Upright Posture and the Spinal Curves | p. 26 |
The Spine as Lengthening Device | p. 29 |
The Shoulder Girdle | p. 31 |
The Mobile Cross-Piece | p. 31 |
The Yard-Arm | p. 34 |
From Fins to Limbs | p. 35 |
The Floating Shoulder Girdle | p. 36 |
The Upper Limb | p. 39 |
The Basic Limb Pattern | p. 39 |
Modes of Positioning the Hand | p. 40 |
The Rotation Mechanism of the Forearm | p. 41 |
The Hand | p. 43 |
The Opposable Thumb | p. 45 |
The Relation of the Upper Limb to the Shoulder and Trunk | p. 48 |
The Pelvic Girdle | p. 49 |
The Design of the Pelvis | p. 49 |
The Upright Compromise | p. 53 |
The Arch Design of the Pelvis | p. 54 |
The Pelvis in Relation to Lengthening in Stature | p. 55 |
The Lower Limb | p. 57 |
The Weight-Bearing Limb | p. 57 |
The Ankle Joint | p. 58 |
The Foot Joints | p. 60 |
The Arched Foot | p. 61 |
The Toes | p. 63 |
Length in the Legs | p. 63 |
Our Two-Footed Poise | p. 64 |
Breathing | p. 65 |
Why and How We Breathe | p. 65 |
The Anatomy of Breathing | p. 66 |
The Suspensory Support of the Trunk | p. 68 |
Widening the Back | p. 69 |
Breathing and Our Upright Design | p. 72 |
The Voice | p. 73 |
How We Produce Sound | p. 73 |
Closure of the Vocal Folds | p. 74 |
The Suspensory Muscles of the Larynx | p. 76 |
The Larynx and the Breath | p. 77 |
The Larynx and the Brain | p. 77 |
The Suspensory Muscles of the Throat | p. 79 |
The Suspended Throat | p. 79 |
Depressing the Larynx | p. 81 |
The Throat and Upright Poise | p. 82 |
The "Open Throat" | p. 84 |
The Jaw | p. 85 |
Head Balance Revised | p. 86 |
The Spiral Musculature | p. 87 |
Rotational Movement and Our Upright Design | p. 87 |
The Evolution of Spiral Muscles | p. 88 |
Rotational Movement and the Use of the Arms | p. 90 |
Anatomy of the Spiral Musculature | p. 90 |
Postural Twists | p. 93 |
The Suspended Trunk: Our Fishy Ancestry | p. 94 |
Our Double-Helix Architecture | p. 97 |
Lengthening into the Spirals | p. 98 |
The Miracle of the Human Form | p. 99 |
Our Upright Suspension System | p. 99 |
Our Unique Design Features | p. 100 |
Our Higher-Order Design | p. 101 |
Index | p. 103 |
About the Author and Illustrator | p. 107 |
Table of Contents provided by Ingram. All Rights Reserved. |
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