
The Cambridge Companion to Grand Opera
by Edited by David Charlton-
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Summary
Table of Contents
1. Introduction David Charlton | |
Part I. The Resourcing of Grand Opera: 2. The 'machine' and the State Hervé | |
Lacombe | |
3. Fictions and librettos Nicholas White | |
4. The spectacle of the past in grand opera Simon Williams | |
5. The chorus James Parakilas | |
6. Dance and dancers Marian Smith | |
7. Roles, reputations, shadows: singers at the Opé | |
ra, 1828-49 Mary Ann Smart | |
Part II. Revaluation and the Twenty-first Century: 8. Directing grand opera: Rienzi and Guillaume Tell at the Vienna State Opera David Pountney | |
Part III. Grand Operas for Paris: 9. La Muette and her context Sarah Hibberd | |
10. Scribe and Auber: constructing grand opera Herbert Schneider | |
11. Meyerbeer: Robert le Diable and Les Huguenots Matthias Brzoska | |
12. Meyerbeer: Le Prophè | |
te and L'Africaine John H. Roberts | |
13. The grand operas of Fromental Halé | |
vy Diana R. Hallman | |
14. From Rossini to Verdi M. Elizabeth C. Bartlett | |
15. After 1850 at the Paris Opé | |
ra: institution and repertory Steven Huebner | |
Part IV. Transformations of Grand Opera: 16. Richard Wagner and the legacy of French grand opera Thomas Grey | |
17. Grand opera in Russia: fragments Marina Frolova-Walker | |
18. Grand opera among the Czechs Jan Smaczny | |
19. Italian opera Fiamma Nicolodi | |
20. Grand opera in Britain and the Americas Sarah Hibberd. |
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