Top Ten Things You Didn't Know about Leonardo Da Vinci... |
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Introduction |
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1 | (12) |
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2 | (1) |
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Where it All Began: Vinci, Italy |
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2 | (2) |
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The Mamas and the Papas, and Everyone in Between |
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4 | (2) |
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The Life You're Born Into |
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6 | (2) |
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8 | (1) |
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9 | (3) |
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``Current'' Events of Fifteenth-Century Italy |
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12 | (1) |
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Leonardo the Young Artist |
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13 | (18) |
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14 | (2) |
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Leonardo's Early Training |
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16 | (2) |
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What Did They Do Before Bookstores? |
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18 | (1) |
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Apprenticeship, or Learning From Your Elders |
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19 | (2) |
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21 | (2) |
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Getting Off to a Good Start |
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23 | (2) |
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In the Company of Painters |
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25 | (3) |
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28 | (3) |
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31 | (16) |
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32 | (2) |
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34 | (1) |
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The High Renaissance: Leonardo's Backdrop |
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35 | (2) |
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37 | (1) |
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38 | (2) |
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40 | (3) |
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The Importance of Being Sponsored |
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43 | (4) |
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47 | (12) |
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48 | (1) |
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49 | (2) |
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Look Out, It's Cesare Borgia! |
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51 | (2) |
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The King of France, in Italy |
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53 | (2) |
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55 | (2) |
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Francois I, King of France and Friend of Leonardo |
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57 | (2) |
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59 | (14) |
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Putting Things in Perspective |
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60 | (2) |
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Light and Shadow and Tonal Transitions |
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62 | (2) |
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The Scene Behind the Scene |
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64 | (3) |
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Leonardo and the Fine Art of Completion |
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67 | (2) |
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69 | (2) |
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Architecture of the Imagination |
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71 | (2) |
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73 | (16) |
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74 | (2) |
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Monks and Lawyers and Artists, Oh My! |
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76 | (2) |
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The Life and Times of The Last Supper |
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78 | (3) |
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There's Something About Lisa |
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81 | (2) |
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83 | (2) |
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85 | (4) |
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89 | (14) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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Leonardo's Theory of Design |
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93 | (1) |
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94 | (1) |
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A Horse is a Horse, Of Course, Of Course |
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95 | (3) |
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Modern Realization of Leonardo's Dream |
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98 | (2) |
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100 | (1) |
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101 | (2) |
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103 | (14) |
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104 | (1) |
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105 | (1) |
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106 | (2) |
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108 | (2) |
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San Giovanni Church: Closer to Heaven |
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110 | (2) |
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Designs for Other Public Structures |
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112 | (2) |
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114 | (3) |
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General and Life Sciences |
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117 | (14) |
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118 | (1) |
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119 | (1) |
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120 | (3) |
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123 | (2) |
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125 | (2) |
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127 | (4) |
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131 | (14) |
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Getting Physical with Science |
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132 | (1) |
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133 | (2) |
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135 | (3) |
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138 | (4) |
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142 | (1) |
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143 | (2) |
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Engineering and Innovation |
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145 | (14) |
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Before Planes, Trains, and Automobiles |
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146 | (1) |
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147 | (2) |
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149 | (2) |
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151 | (2) |
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Building a Better ... Gun? |
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153 | (2) |
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155 | (1) |
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156 | (3) |
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159 | (14) |
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It's a Bird. It's a Plane. It's a Flying Machine! |
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160 | (2) |
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162 | (2) |
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The Ocean Liners of the Future |
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164 | (2) |
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166 | (3) |
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169 | (1) |
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170 | (1) |
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171 | (2) |
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173 | (14) |
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174 | (1) |
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Chutes (We Already Covered Ladders) |
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175 | (3) |
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178 | (1) |
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179 | (2) |
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Under the Boardwalk, Down by the Sea |
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181 | (2) |
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Harnessing the Power of Water |
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183 | (4) |
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187 | (12) |
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188 | (2) |
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190 | (2) |
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192 | (1) |
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193 | (2) |
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195 | (1) |
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196 | (3) |
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Leonardo's Other Artistic Accomplishments |
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199 | (14) |
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200 | (1) |
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201 | (2) |
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203 | (1) |
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204 | (3) |
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207 | (2) |
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209 | (4) |
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Other Renaissance Artists |
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213 | (14) |
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Michelangelo: The Renaissance's ``Other Great Artist'' |
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214 | (3) |
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217 | (1) |
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218 | (2) |
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Botticelli on a Half-shell |
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220 | (2) |
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Savonarola and a Crisis of Faith |
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222 | (1) |
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Titian, His Own Personal Giant |
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223 | (4) |
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Other Contemporary Famous People |
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227 | (14) |
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Machiavelli: The Literary Prince of the Renaissance |
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228 | (2) |
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The Protestant Reformation |
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230 | (2) |
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232 | (1) |
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233 | (1) |
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234 | (4) |
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238 | (1) |
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Where in the World is Leonardo Da Vinci? |
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239 | (2) |
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241 | (12) |
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242 | (1) |
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Highly Personal Accusations |
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243 | (3) |
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246 | (1) |
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247 | (1) |
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248 | (3) |
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Leonardo on the Analyst's Couch |
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251 | (2) |
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253 | (12) |
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254 | (1) |
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Minor Errors of a Major Genius |
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255 | (2) |
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In the Beginning, There Was Religion |
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257 | (2) |
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259 | (1) |
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259 | (3) |
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262 | (3) |
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265 | (14) |
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266 | (1) |
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267 | (2) |
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Sincerest Form of Flattery |
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269 | (2) |
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271 | (2) |
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The Real Deal on The Da Vinci Code |
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273 | (3) |
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The Quintessential Renaissance Man |
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276 | (1) |
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277 | (2) |
Appendix A: Da Vinci Timeline |
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279 | (2) |
Appendix B: Glossary of Terms |
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281 | (6) |
Index |
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287 | |