Longlisted for the 2014 Man Booker Prize

We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. That's how it seems to me, being alive for a little while, the teller and the told.

So says Ruthie Swain. The bedridden daughter of a dead poet, home from college after a collapse (Something Amiss, the doctors say), she is trying to find her father through stories--and through generations of family history in County Clare (the Swains have the written stories, from salmon-fishing journals to poems, and the maternal MacCarrolls have the oral) and through her own writing (with its Superabundance of Style). Ruthie turns also to the books her father left behind, his library transposed to her bedroom and stacked on the floor, which she pledges to work her way through while she's still living.

In her attic room, with the rain rushing down the windows, Ruthie writes Ireland, with its weather, its rivers, its lilts, and its lows. The stories she uncovers and recounts bring back to life multiple generations buried in this soil--and they might just bring her back into the world again, too.

Niall Williams was born in Dublin and studied at University College Dublin. His work includes stage plays, screenplays, nonfiction (co-written with his wife, Christine Breen), and, to date, seven novels. His first novel, Four Letters of Love, was an international bestseller, published in more than twenty countries, and a New York Times Notable Book of the Year. Williams has been twice nominated for the IMPAC Dublin Literary Award, and was shortlisted for the Irish Times Literature Prize. He lives in the west of Ireland.