Perchance to Dream : Theatre Illuminata #2

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Pub. Date: 2010-05-25
Publisher(s): Feiwel & Friends
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Summary

From the critically acclaimed author of Eyes Like Stars We are such stuff as dreams are made on. Act Two, Scene One Growing up in the enchanted Theatre Illuminata, Beatrice Shakespeare Smith learned everything about every play ever written. She knew the Players and their parts, but she didn't know that she, too, had magic. Now, she is the Mistress of Revels, the Teller of Tales, and determined to follow her stars. She is ready for the outside world. Enter BERTIE AND COMPANY But the outside world soon proves more topsy-turvy than any stage production. Bertie can make things happen by writing them, but outside the protective walls of the Theatre, nothing goes as planned. And her magic cannot help her make a decision between Nate: Her suave and swashbuckling pirate, now in mortal peril. Ariel: A brooding, yet seductive, air spirit whose true motives remain unclear. When Nate is kidnapped and taken prisoner by the Sea Goddess, only Bertie can free him. She and her fairy sidekicks embark on a journey aboard the Theatre's caravan, using Bertie's word magic to guide them. Along the way, they collect a sneak-thief, who has in his possession something most valuable, and meet The Mysterious Stranger, Bertie's fatherand the creator of the scrimshaw medallion. Bertie's dreams are haunted by Nate, whose love for Bertie is keeping him alive, but in the daytime, it's Ariel who is tantalizingly close, and the one she is falling for. Who does Bertie love the most? And will her magic be powerful enough to save her once she enters the Sea Goddess's lair? Once again, LISA MANTCHEV has spun a tale like no otherfull of romance, magic, adventure, and fairies, toothat readers won't want to put down, even after the curtain has closed.

Excerpts

“Perhaps I can appeal, then, to the romantic nature of our situation.” Without moving, everything about Ariel reached for her. “The open road, the veil of night drawn over the world, us living as vagabonds.”
            Usually, Peaseblossom played the part of Bertie’s tiny little conscience, but this time, she issued the requisite Dire Warning to herself:
            Don't think about how close he is, or the fact that all you'd have to do to kiss him is tilt your head. Think of Nate . . . .
            “If you’re done with whatever fierce internal argument is creasing your forehead—” Ariel's low laugh undid the knot she had tied on her resolve. A bit of his wind pushed her nearly into his lap, and their lips met.
            Bertie's brain fogged over until the fairies’ collective noises of disgust recalled her to her senses. Pulling away, she muttered, “Vagabonds don't wear crinolines.”

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