Teaching Shakespeare Through Performance

by
Format: Paperback
Pub. Date: 1999-01-01
Publisher(s): Modern Language Assn of Amer
List Price: $25.00

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Summary

Performance pedagogy does more than involve students in the acting, directing, and production work needed to bring a play text to life. It engages them in interpretation; it makes issues of structure or subtext immediate; it deepens understanding of stage history; in film, it demonstrates the role of camera, lighting, sound.Teaching Shakespeare through Performanceis designed for teachers of both high school and college English courses who wish to introduce performance strategies into their classroom. The volume illustrates how attention to theatrical detail can give insight into Shakespeare's work and world: the significance of an omitted exit or entrance, the role of stage directions inKing Lear, costumes and transvestism on the Renaissance stage, the changing fashions of acting Juliet, how experimenting with the use of different personal props in a scene fromHamletreveals cultural attitudes, and much more.

Table of Contents

Acknowledgments ix
Introduction 1(18)
Milla Cozart Riggio
Prologue 19(14)
Michael Kahn
Part I: Theory and History
Shakespeare in Performance: Theory in Practice and Practice in Theory
33(15)
David Kennedy Sauer
Evelyn Tribble
Performance Is More Than an ``Approach'' to Shakespeare
48(15)
Edward L. Rocklin
Shakespeare's Theatrical Vocabulary and Today's Classroom
63(15)
Alan C. Dessen
Original Staging and the Shakespeare Classroom
78(24)
Ralph Alan Cohen
Why Did the English Stage Take Boys for Women?
102(12)
Stephen Orgel
Romeo and Juliet on the Stage: ``It Is a Kind of History''
114(13)
Jill L. Levenson
Re-wrighting Shakespeare: A Conversation with Richard Schechner
127(18)
Part II: Teaching Strategies
Listening for the Playwright's Voice: Rehearsing through Class Discussion the ``Kill Claudio'' Episode
145(10)
Robert Hapgood
Playing the Action: Building an Interpretation from the Scene Up
155(14)
Cary M. Mazer
Working in Workshops
169(15)
David Bevington
Gavin Witt
Improvisational Techniques for the Literature Teacher
184(12)
Michael Shapiro
The (Play) Text's the Thing: Teaching the Blinding of Gloucester in King Lear
196(24)
Thomas L. Berger
Introducing Stage History to Students
220(15)
Stephen M. Buhler
Part III: Exemplary Courses
Teaching Shakespeare: The Participatory Approach
235(9)
Lois Potter
Reading Power: Classroom Acting as Close Reading
244(12)
G. B. Shand
The Shakespeare Seminar as Pedagogical Entertainment
256(10)
Maurice Charney
Team Teaching Shakespeare: Breaking Barriers to the Bard
266(11)
Robert Einenkel
Bernice W. Kliman
Shakespeare in the City
277(9)
Elise Ann Earthman
On Your Imaginary Forces Work: Shakespeare in Practice
286(9)
James N. Loehlin
Performing Shakespeare: The Outward Bound of the English Department
295(12)
Cynthia Lewis
Writing about Performance, Writing as Performance
307(14)
Miriam Gilbert
Part IV: Films and Electronic Resources
Bringing Performances into Classrooms through Multiple Media
321(20)
W. G. Walton, Jr.
Cinematic Elements in Shakespearean Film: A Glossary
341(20)
David Kranz
Shakespeare and Image Theater: Henry V
361(12)
Peter Reynolds
Digital Shakespeare: A Retrospective and Update
373(17)
Michael Mullin
The Electronic Archive in the Classroom: Multimedia Shakespeare at MIT
390(23)
Peter Donaldson
Playing in Cyberspace: Experiments in Computer-Mediated Shakespeare
413(22)
Larry Friedlander
Part V: Annotated Guides
A Guide to American Shakespeare Companies and Festivals with Academic Affiliations
435(7)
Felicia Londre with
Kimberly L. Janczuk
Annotated Guide to Classroom Editions of Shakespeare
442(12)
Milla Cozart Riggio
Selected Film and Television Resources
454(5)
H. R. Coursen
Shakespeare on Video
459(6)
W. G. Walton, Jr.
Notes on Contributors 465(10)
Works Cited 475(18)
Index of Names 493(8)
Index of Shakespeare's Plays 501

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