Foreword |
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vii | |
Preface |
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xiii | |
Acknowledgements |
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xxi | |
A Few Important Dates |
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xxv | |
Part I: The Power of Words and Meaning of Form |
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3 | (30) |
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Aeneid 1.1-11, Translations; Synopsis of the Aeneid: translations by Dryden, Mandelbaum, Copley, Fitzgerald, McCrorie; Synopsis of the Aeneid |
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33 | (9) |
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I. Proem, from The Language of Virgil: An Introduction to the Poetry of the Aeneid |
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42 | (4) |
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Onomatopoetic Alliteration in Vergil's Aeneid |
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46 | (6) |
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Aeneas' First Act: 1.180-194 |
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52 | (13) |
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The Serpent and the Flame |
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65 | (15) |
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The Vergilian Simile as Means of Judgment |
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80 | (10) |
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Dido's Hesitation in Aeneid 4 |
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90 | (11) |
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The Last Encounter of Dido and Aeneas: Aen. 6.450-476 |
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101 | (7) |
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History and Revelation in Vergil's Underworld |
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108 | (15) |
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The Aeneid as a Drama of Election |
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123 | (19) |
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Golden Numbers. On Nature and Form, from Western Wind. An Introduction to Poetry |
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142 | (6) |
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The Architecture of the Aeneid |
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148 | (7) |
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The Two Voices of Virgil's Aeneid |
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155 | (13) |
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Introduction, Chapter Five. `No, Virgil, No': The Battle of Actium on the Shield of Aeneas, from Actium and Augustus: The Politics and Emotions of the Civil War |
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168 | (17) |
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Chapter 2. Grieving Mothers and the Costs of Attachment, from Public and Private in Vergil's Aeneid |
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185 | (10) |
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The Tenth Book of the Aeneid |
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195 | (12) |
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The Sons of Iasus and the End of the Aeneid |
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207 | (4) |
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Desecration and Expiation as a Theme in the Aeneid |
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211 | (9) |
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Daedalus, Virgil, and the End of Art |
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220 | (23) |
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Part II: The Uses of Tradition and the Making of Meaning |
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Chapter I. The Mystery of the Aeneid, Chapter III. The Subjective Style, from Virgil: A Study in Civilized Poetry |
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243 | (12) |
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The Lyric Genius of the Aeneid |
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255 | (12) |
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Introduction, from Pastoral and Ideology: Virgil to Valery |
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267 | (8) |
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On the Surface of the Georgics |
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275 | (10) |
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285 | (9) |
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Introduction, from The Poetry of Allusion: Virgil and Ovid in Dante's Commedia |
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294 | (3) |
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review of Virgil and the Tempest: The Politics of Imitation |
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297 | (3) |
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Paradise Lost as Encyclopedic Epic: The Uses of Literary Forms, from Paradise Lost and the Rhetoric of Literary Forms |
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300 | (7) |
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Presidential Address, 1992: Cultural Fictions and Cultural Identity |
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307 | (9) |
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The Americanization of Vergil, from Colonial Times to 1882 |
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316 | (9) |
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To Maecenas, from The Poems of Phillis Wheatley |
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325 | (2) |
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Chapter 1, Eliot's Myth and Vergil's Fictions, from Darkness Visible: A Study of Vergil's Aeneid |
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327 | (16) |
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Some Twentieth-Century Heirs: Poetry and Power |
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343 | (58) |
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Build Soil -- A Political Pastoral, from The Poetry of Robert Frost |
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345 | (7) |
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Eclogue IV: Winter, from To Urania |
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352 | (6) |
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Vergilian Modes in Spike Lee's Do the Right Thing |
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358 | (4) |
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Dedicatory Stanzas. To Stephen Spender, from The Georgics of Virgil |
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362 | (2) |
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Aeneas at Washington, from Collected Poems 1919-1976 |
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364 | (2) |
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Two Tramps in Mud Time, from The Poetry of Robert Frost |
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366 | (2) |
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The Shield of Achilles, from W. H. Auden: Collected Poems |
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368 | (2) |
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370 | (1) |
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For John F. Kennedy His Inauguration, from The Poetry of Robert Frost |
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371 | (2) |
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373 | (9) |
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The Death of Virgil, Jean Starr Untermeyer, trans |
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382 | (5) |
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Art and the Hero: Participation, Detachment and Narrative Point of View in Aeneid 1 |
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387 | (14) |
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Conclusion: Why Vergil |
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401 | (44) |
Bibliography |
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445 | |