Acknowledgments |
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vii | |
Introduction |
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1 | (8) |
Part 1 Pull Yourself Together |
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Is Your Egg Ready to Hatch? Know the Subject |
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9 | (3) |
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``The Party to Whom I Am Speaking'': Know the Audience |
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12 | (5) |
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Get with the Program: The Organized Writer |
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17 | (9) |
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Commencement Address: The First Few Words |
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26 | (9) |
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From Here to Uncertainty: How Am I Doing? |
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35 | (14) |
Part 2 The Fundamental Things Apply |
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Pompous Circumstances: Hold the Baloney |
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49 | (7) |
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The Life of the Party: Verbs That Zing |
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56 | (4) |
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Call Waiting: Putting the Subject on Hold |
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60 | (8) |
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A Time and a Place for Everything |
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63 | (5) |
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The It Parade: Pronoun Pileups |
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68 | (4) |
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Smothering Heights: Misbehaving Modifiers |
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72 | (15) |
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Too Marvelous for Words: The Sensible Sentence |
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87 | (6) |
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Made for Each Other: Well-Matched Sentences |
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93 | (6) |
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Give Me a Break: Thinking in Paragraphs |
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99 | (6) |
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The Elongated Yellow Fruit: Fear of Repetition |
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105 | (3) |
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Training Wheels: Belaboring the Obvious |
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108 | (3) |
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Critique of Poor Reason: The Art of Making Sense |
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111 | (6) |
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Grammar Moses: Thou Shalt Not Embarrass Thyself |
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117 | (12) |
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Down for the Count: When the Numbers Don't Add Up |
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129 | (12) |
Part 3 Getting Better All the Time |
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Lost Horizon: What's the Point of View? |
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141 | (8) |
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Wimping Out: The Backward Writer |
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149 | (6) |
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Everybody's Favorite Subject: I, Me, My |
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155 | (10) |
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Promises, Promises: Making Them, Keeping Them |
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165 | (6) |
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You Got Rhythm: Writing to the Beat |
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171 | (9) |
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The Human Comedy: What's So Funny? |
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180 | (11) |
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I Second That Emotion: Once More, with Feeling |
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191 | (6) |
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The Importance of Being Honest: Leveling with the Reader |
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197 | (5) |
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Once around the Block: What to Do When You're Stuck |
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202 | (8) |
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Debt before Dishonor: How and What to Borrow |
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210 | (5) |
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Revise and Consent: Getting to the Finish Line |
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215 | (7) |
Appendix |
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222 | (1) |
Bibliography |
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223 | (1) |
Index |
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224 | |